Showing posts with label Indie. Show all posts
Showing posts with label Indie. Show all posts

Wednesday, April 2, 2014

The Grand Budapest Hotel (2014) Review


Wes Anderson is a filmmaker with a unique vision. His films create characters and worlds that are truly original. For some, his style can be off-putting in its oddness, for others, everything he does is a delight, for me, I find that his creativity is exciting, but not everything he does works. When it does work though, it's a filmmaker at the top of his game. Such is the case with the Grand Budapest Hotel a film that is my favorite Wes Anderson film to date and one that I'm sure will be in the running for my favorite movies of 2014. In short it is a true delight.

The beginning of the film sets up the main story by framing it not once, but three times.
The main story takes place in 1932 at the Grand Budapest hotel and it is about Gustave H. an esteemed concierge. The story is told from the perspective of his lobby boy who was new at the time. Soon the lobby boy and the concierge are wrapped up in a caper involving inheritances, prison break-outs, priceless art, ski chases, and murder. Ralph Fiennes brings the concierge to life with peerless timing and wit. It is he who helps give the film its great doses of humor with his delivery. The cast list is one of the most esteemed I have seen in some time and every actor gets to make a memorable appearance. This is a film that can handle actor cameos very well and I felt like they were all done to good effect without detracting from the overall story.

The true star of the film is the world Anderson creates and the innovative techniques he uses to get us into it. First there is the way he frames the story as a book being read. Many films have been structured this way but in this case the frame narration takes on a truly literary style. I felt it worked very well and added to the atmosphere that helped bring us into this world. In the main story Anderson is able to create the feeling of a classic Hollywood back-lot but with a very Andersonian touch. This film is meant to evoke those cosmopolitan comedies done to perfection by Ernst Lubitsch in the 1930's and 40's as well as some of Alfred Hitchcock's earlier work. It is not just a tribute though, it comes into its own in the way that is able to combine all of those elements with its own signature style. This helps the film to feel thoroughly fresh. The comedy is wonderful and the film is never afraid to surprise, which helps add to the audiences enjoyment.

Overall this is an entertainment of a highest order and something which I have not seen in a long time; an escapist film that is both intellectually interesting as well as a truly wonderful escape. Unlike many great recent superhero blockbusters which have gotten their intellectual side by going darker, the Grand Budapest Hotel does what many of its great, old-Hollywood pedigree did and creates an uproariously funny and enjoyable comedy which has layers to be found underneath its surface.  By doing this, like his influences, Anderson creates a world I certainly would not mind exploring again 5/5!

Wednesday, September 4, 2013

Film Class Films: "In the Beginning" the Great Train Rbbery (1903) and Charlie Chaplin's the Kid (1921)

This new series of posts is devoted to the films which I view as part of my History of American Film class in college. These posts will contain reviews of the films as well as analysis of their place in film history as a whole. Films will be added in the order that I see them in class.

The Great Train Robbery (1903)
This film is really impossible to write a review about so this is more of an analysis about the place this film holds in the history of the medium. The great Train Robbery was the first film to have a cohesive plot with a beginning a middle and an end. Clocking in at 13 minutes this film is definitely shorter than a feature and it is worth watching for the historical aspects of it. It is also worth watching because, considering that it is 110 years old, it is a quite sophisticated film. Porter made a huge leap in directing in this film and every movies owes something to this film because it was the first to pave the way!


The Kid (1921)
The Kid comes almost twenty years after the Great Train Robbery and it is considered one of comedian Charlie Chaplin's greatest works. The film tells the story of a boy who is estranged from his single mother and ends up in the care of Chaplin's character the Tramp. While many Chaplin films offer great gags the Kid is notable for its use of real drama. This is not a pure comedy but is instead a dramedy with many effective scenes. It is admittedly hard to get into silent movies and this film is no exception but if you just force yourself to watch it you might find that the lack of sound fades away and the film comes alive. It doesn't quite come alive enough for me to want to see it again but it is definitely a pivotal work in the career of a great comedian. 4/5