Showing posts with label Film Class Films. Show all posts
Showing posts with label Film Class Films. Show all posts

Sunday, September 15, 2013

Film Class Films: "Silence is Good" The General (1925) and Metropolis (1927)

In part 2 of my series on films I watch in film class, we will take a look at movies made with the best the silent era had to offer. While this may often be forgotten, films had actually reached a high level of artistic achievement by the end of the silent era. These two films represent that pinnacle of soundless achievement that showed the world the value of silence.





















The General (1925)
While Charlie Chaplin may be more famous, there is no doubt in my mind that Buster Keaton at least rivaled him in terms of comedic ability. Sadly overlooked at the time of its release the General is now considered Keaton's greatest cinematic achievement. This is a film that will make you forget you are watching a silent film.

For many, the experience of watching a silent film is seen as tiresome. The lack of sounds and dialogue coupled with mood setting music make for a sometimes soporific experience. The General is one of the exceptions to that rule. It is a film that was made for what the director Alfred Hitchcock called "pure cinema" the idea of something that you can only experience in a movie theater. The General is one of those films which requires a visual experience and, in many ways, a soundless one.

The general is the story of a man who loved two things: his girl, and his train. It is set at the beginning of the civil war and follows Keaton's character's attempt to join the southern confederate army. After his attempt fails because he is too valuable as a mechanic Keaton is suddenly and unexpectedly involved in the war when his train is stolen and so is his girl. An incredibly entertaining chase ensue.

This comedy is best in sound because of its beautiful simplicity. This film could not possibly be as wonderfully simple as it is if dialogue had to be added. What makes the film great is the way that it is a simple and wonderfully entertain chase. Keaton's timing is perfect leading to moments of suspense followed by moments of incredible laughter.

The General was the first silent film I watched which really had me hooked and loving every minute of it. you will to if you give it a try, it's one for the ages 5/5!





















Metropolis (1927)
Metropolis is considered by film historians and audiences alike to be German Director Fritz Lang's masterpiece. The Science Fiction story of class warfare and technological advancements in a dystopian future is truly mesmerizing from start to finish.

Many will be daunted by the films runtime of 2 hrs. which for most is too long to watch a silent film. My advice: don't be you won't even notice the runtime. Like the General Metropolis is a film that makes you forget it's silent. It's images will be etched in your brain forever. Metropolis' great strength are its images. with special effects leagues ahead of there time and a cast of thousands, this film truly is epic. Lang does what is required of a great sci-fi director, and that is he creates a world. One that is intriguing and believable.

The story is high art, focusing on themes that are so broad and yet so important that many movies won't even touch them. Lang handles these themes adeptly and creates a story that is pretty masterful from start to finish. The acting may be overly expressive in many areas but overall this is a film that cannot be missed by anybody that is interested in film. 4.5/5

Wednesday, September 4, 2013

Film Class Films: "In the Beginning" the Great Train Rbbery (1903) and Charlie Chaplin's the Kid (1921)

This new series of posts is devoted to the films which I view as part of my History of American Film class in college. These posts will contain reviews of the films as well as analysis of their place in film history as a whole. Films will be added in the order that I see them in class.

The Great Train Robbery (1903)
This film is really impossible to write a review about so this is more of an analysis about the place this film holds in the history of the medium. The great Train Robbery was the first film to have a cohesive plot with a beginning a middle and an end. Clocking in at 13 minutes this film is definitely shorter than a feature and it is worth watching for the historical aspects of it. It is also worth watching because, considering that it is 110 years old, it is a quite sophisticated film. Porter made a huge leap in directing in this film and every movies owes something to this film because it was the first to pave the way!


The Kid (1921)
The Kid comes almost twenty years after the Great Train Robbery and it is considered one of comedian Charlie Chaplin's greatest works. The film tells the story of a boy who is estranged from his single mother and ends up in the care of Chaplin's character the Tramp. While many Chaplin films offer great gags the Kid is notable for its use of real drama. This is not a pure comedy but is instead a dramedy with many effective scenes. It is admittedly hard to get into silent movies and this film is no exception but if you just force yourself to watch it you might find that the lack of sound fades away and the film comes alive. It doesn't quite come alive enough for me to want to see it again but it is definitely a pivotal work in the career of a great comedian. 4/5